Once I transfer the files to my computer, I'll bring the image into Lightroom to make initial, basic adjustments that suit my taste and style. I introduce a layer of black or darkness, then brush away the darkness to emphasis certain parts of an image in order to (hopefully) move the viewer's eye in a certain direction across it.įirst, I'll always start with a raw image I shot in the field. The easiest way to explain the trick is that it is essentially creating and controlling my own vignette. Though, if you like creating light and airy images, perhaps they could still be useful when editing your own images. I think these tools and tricks help me get to that end goal. My personal style I gravitate toward when creating photographs is that of extremely dramatic contrast in color and light. This post shows some examples of my work with Landscape Pro, along with what I changed, and the original RAW image.Before I introduce the one trick I always use when editing landscape images, it should be noted that it may not work for every person's style. So do I delete the almost-great ones? Or do I enhance them? I’ll take the second option, and it’s my job to show you how you can achieve that greatness. On my wall, I only want to have great shots. Is it cheating to replace the parts I don’t like? Is it cheating to enhance a photo at all? Maybe that’s a discussion for another blog post. I will know that something could be better. In these situations, I may have a great image, but I won’t like every part of it. On my workshops, I am usually in one location for just one morning, or one afternoon. Sometimes, I don’t have the luxury or privilege to wait for that perfect moment. In my experience, getting the perfect sky for your landscape photos can often mean that you have to spend an enormous amount of time waiting for that moment. Some people may consider sky-swapping as cheating, but is it? Blending photos is commonplace these days, and as long as it’s not journalism, it shouldn’t matter. And if you have some photos that you’ve shot with great skies, you can import them for future use. These presets can be used to replace the original sky in your photograph. For instance, there is a huge collection of different sky presets. But it will present you with a lot of choices of ways you can make your photos better. This software will not make you a better photographer. I wrote to the company, and they responded immediately with a very kind offer of a free license for us to try it out. But after many promotional plugs about the software in their newsletter, I felt that perhaps it was best if I tried it out for myself. I doubted that AI software would be able to edit landscape photos in a suitable manner that I would be happy with. When Anthropics released Landscape Pro, I admit I was skeptical. Several other similar softwares have since come out that emulates what this software does, but not as well. (See? Not just landscapes!) Portrait Pro has quickly become a standard for image editing for faces and bodies. I was familiar with Anthropics Technology, because I already use one of their other products called Portrait Pro. My work with Photo Workshop Adventures has broadened my view to include a wide variety of subjects, of which landscapes are just a part of a larger body of work. But I only consider it to be a part of my portfolio. Those who follow my work, or who have travelled with me, would often suggest that I am a landscape photographer.
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